Then and Again Voltaire Weezer Self Titled
| Weezer | ||||
|---|---|---|---|---|
 | ||||
| Studio album by Weezer | ||||
| Released | May 15, 2001 | |||
| Recorded | December 2000 | |||
| Studio | Cello, Los Angeles | |||
| Genre |
| |||
| Length | 28:20 | |||
| Label | Geffen | |||
| Producer | Ric Ocasek | |||
| Weezer chronology | ||||
| ||||
| Singles from Weezer | ||||
| ||||
Weezer (also known as the Green Album ) is the 3rd studio anthology and 2nd self-titled album by American rock band Weezer. It was released on May 15, 2001, past Geffen Records. Information technology serves as the 2nd Weezer album produced by Ric Ocasek, who produced their debut anthology, and the simply Weezer album to feature bassist Mikey Welsh, who replaced Matt Sharp.
Later on the disappointing reception for their second album, Pinkerton (1996), Weezer went on hiatus and the band members worked on side projects. During this fourth dimension, their fanbase grew online and Pinkerton's standing improved. After a comeback performance at the Japanese Summer Sonic Festival, Weezer began rehearsing and recording new material. Post-obit the ambitious compositions and confessional themes of Pinkerton, songwriter Rivers Cuomo wrote simpler songs with less personal lyrics.
Weezer received generally favorable reviews. Information technology debuted at number iv in the United States, where it has since sold over 1.vi meg copies. Three singles were released from the album: "Hash Pipage", "Isle in the Dominicus", and "Photo". "Hash Pipe" was a worldwide hit, charting on vii different charts.
Background [edit]
Rivers Cuomo performing live
Weezer'southward 2nd album, Pinkerton, was released on September 24, 1996.[2] It sold poorly compared to Weezer's 1994 debut,[3] perhaps due to its darker, more than abrasive sound.[two] Post-obit the Pinkerton tour, Weezer went on hiatus.[4] Frontman Rivers Cuomo returned to Harvard University to stop his studies, but dropped out to focus on songwriting.[4] During this time, he formed a new band, Homie.[five]
Past February 1998, Cuomo had disbanded Homie and headed to Los Angeles to begin work on Weezer demos with guitarist Brian Bell and drummer Patrick Wilson.[half-dozen] Bassist Matt Sharp was absent from rehearsals and became estranged from the band.[7] [8] On Apr 8, 1998, Precipitous announced his exit from Weezer to devote his free energy to his band the Rentals.[9] It was quickly announced that sometime Homie bassist Mikey Welsh would take over on bass for Weezer.[ten] [xi]
Frustration and creative disagreements led to a decline in rehearsals. In tardily 1998, Wilson left for his home in Portland awaiting renewed productivity from Cuomo.[12] Cuomo became depressed;[13] he painted the walls of his dwelling house black and put "fiberglass insulation all over the windows and and so black sheets of fiberglass then that no light could get through".[12] During this time, he isolated himself and abstained from contact with the exterior earth.[14] [15] He too had braces put on his teeth, further damaging his self-esteem.[16]
By 1999, the members of Weezer had over again gone their divide ways; Wilson resumed work with his band the Special Goodness, Bell worked on his band Infinite Twins and Welsh toured with Juliana Hatfield.[17] Meanwhile, Cuomo wrote 121 songs, nearly one-half of which would become demos.[17] Bell would occasionally visit Cuomo and play songs with him.[15]
Unbeknownst to the band, their fanbase was connecting and growing on the internet,[sixteen] [xviii] and Pinkerton'south disquisitional and commercial standing was improving.[19] [18] [20] Weezer accepted a lucrative offer to perform in Nihon in August 2000 for the Summer Sonic Festival;[21] rehearsals for the bear witness reinvigorated the band.[22] They returned to performing in June 2000, playing depression-key shows effectually Los Angeles under the pseudonym Goat Punishment, ensuring that Weezer would merely perform for longtime fans who would recognize the name.[22]
Eventually, Weezer performed higher-contour gigs such as the Warped Tour.[23] Cuomo said: "We went in there fully expecting to be booed and to take things thrown at us. Simply it was exactly the opposite, people were singing along to all the songs and merely going crazy, giving us the best support. And I think that gave us the confidence we needed."[24] The response led to farther shows.[25] [26] MP3 demos captured live on the band'due south mobile unit and soundchecks surfaced on file-sharing services and eventually were released every bit downloads on the Weezer website.[xviii] These songs are oftentimes referred to as "Summer Songs of 2000".[18]
Recording [edit]
On October 23, 2000, Cuomo appear that Weezer would start recording material "with or without" a producer.[27] However, the band'south record label decided to have the band utilise a record producer due to the commercial failure of their self-produced album Pinkerton. [27] The band began rehearsing and arranging both the Summer Songs of 2000 and newer textile Cuomo had written at his home with engineer Chad Bamford.[27] The band somewhen decided to hire Ric Ocasek—who had also produced their debut anthology—as producer,[26] [28] and began sending demos to Ocasek during the summer of 2000.[29] At that place was much debate among the band members every bit to whether they should record in Los Angeles or Ocasek's New York habitation, with the ring eventually deciding to record in Los Angeles at Cello Studios.[28] The band connected to demo new music daily and started to weed through more than lxx-five demos, somewhen homing in on twenty-five potential album tracks in anticipation of Ocasek'due south inflow.[30] Ocasek worked with the ring to trim these down further to xviii songs.[31]
After the mixed reception to Pinkerton, Cuomo wrote simpler songs with less personal lyrics; he stated the songs "very intentionally non about me. Not well-nigh what was going on in my life, at least in a conscious mode."[32] Recording sessions began in early December, with Ocasek providing feedback past telephone.[28] On December 27, the band embarked on what would be close to six weeks of studio work by playing songs repetitively in guild to rail the bass and drums parts.[33] They also did "scratch takes" of the vocals and guitar, designed to get accurate rhythm tracks earlier being redone more efficiently later in the recording process.[33] While recording the album, the ring continued to perform gigs nether the pseudonym Goat Penalty.[33] [34]
During the recording sessions, an executive at the band'due south label, Geffen Records, visited to discover the ring's progress and expressed dissatisfaction with several tracks.[35] This feedback eventually forced the ring to discard a few of the album'due south possible songs.[35] The band relocated for 3 weeks to a smaller studio in another function of Cello Studios where Cuomo and Bell worked on guitar takes while the entire ring recorded vocal tracks.[36] Ocasek said: "Rivers always does his guitar parts in one take."[36] Mixing began on January 31 by Tom Lord-Alge at South Embankment Studios inside the Marlin Hotel, Miami Beach, Florida.[37] [38]
Packaging [edit]
"I fix out to design the bundle exactly how I would want information technology, and it just turns out that it'due south very similar to the first album. I'm the same person as I was then, pretty much. I have the aforementioned taste and then I don't see why it should be unlike."[39]
— Rivers Cuomo discussing the artwork of Weezer.
Art direction was handled by Chris Bilheimer with photography from Marina Chavez and Karl Koch.[twoscore] It is similar to the encompass fine art of Weezer'southward debut album.[41]
The album comprehend was shot betwixt ring practices and featured Welsh, Cuomo, Bong and Wilson standing left to right in front of a plain, lime-dark-green backdrop in a way similar to the ring'due south debut album. This was washed equally a tribute to Ric Ocasek, who had besides produced their first album,[39] and also to symbolize the band's back-to-basics arroyo they took while recording the anthology.[39] This approach is alluded to in a quote in the liner notes of the album: "Torniamo all'antico e sarà united nations progresso",[twoscore] [42] [43] from Italian opera composer Giuseppe Verdi that ways "Let u.s. return to one-time times and that will be progress."[44]
The movie inside of the CD booklet is a photo of Weezer playing alive, featuring (in the lower right hand corner) an overlay of the silhouettes of Mike Nelson, Tom Servo and Crow T. Robot from the television evidence Mystery Scientific discipline Theater 3000. (Hence the liner note citation "MST3K silhouette appears courtesy of All-time Brains, Inc.")[twoscore]
This was Weezer's first album to feature a transparent CD tray. Under the CD tray of the album, the word "No" can be establish on the back of the spine.[45] Some fans speculate that this is a response to the inside tray of Radiohead's album OK Figurer which contains the text "I like you. I like you lot. You are a wonderful person. I'm full of enthusiasm. I'm going places. I'll exist happy to help you. I am an important person, would you like to come home with me?"[46] Weezer'due south caption was vague, with webmaster Karl Koch stating "No means no."[47]
The album contains the dedication "In loving memory of Mykel and Carli." Mykel and Carli Allan were sisters devoted to developing fan clubs for up-and-coming bands.[48] The sisters had been influential in starting and developing Weezer's official fan club in the 1990s and, along with their younger sister Trysta, died in a car accident in 1997.[49] [50]
Promotion [edit]
The album met with enthusiasm from the record label;[51] according to Weezer collaborator Karl Koch, "They had aught but supportive and excited things to say almost it."[51] Withal, the album's original release date of Apr 17 was postponed due to executives not liking Cuomo's choice of "Hash Pipe" as the first single. Citing the song's lurid content about a transvestite prostitute as inappropriate, they suggested that "Don't Allow Get" be chosen as the kickoff single.[52] Notwithstanding, Cuomo continued to fight and "Hash Pipe" eventually became the album'southward first single.[52] The label tried to postpone the release date further until June, just the ring convinced them to adhere to the May 15 release date.[53]
The video for "Hash Pipe" was directed past Marcos Siega and was the get-go of many Weezer videos directed by Siega.[54] In the video, Weezer performs in an loonshit while a group of sumo wrestlers are fighting in the background.[53] The song championship was often censored as "H*** Pipe" (the championship employed on the music video'south title card) or "Half Pipage".[53] [55] The vocal became a striking on the MTV show Total Request Live,[56] and too received heavy rotation on radio,[43] peaking at number two on the United states Modern Rock Charts.[57] The song was nominated for High Times magazine'south "Pot Song of the Year".[58] [59]
The next single, "Isle in the Sunday", was a radio hit and became one of Weezer'due south biggest overseas hits.[60] It peaked at number 11 on the US Modern Rock Charts[61] and at number 31 on the UK Top 40.[62] 2 music videos were created for the song: the commencement video, directed by Marcos Siega, shows Weezer playing the song at a Mexican couple'southward wedding reception and features all four band members.[63] The executives at MTV disliked Siega's video, prompting the ring to film a 2nd video.[64]
Afterward suffering a breakdown from the stress of touring, undiagnosed bipolar disorder, and drug corruption, Welsh attempted suicide and left Weezer in 2001.[65] Without him,[64] the ring filmed a second video for "Island in the Sun", directed by Spike Jonze and featured the band playing with wildlife.[66] [67] Sharp may have been approached to be in the video.[68] Scott Shriner, who was filling in for Welsh and later became a permanent member of Weezer, stated in the commentary for "Video Capture Device" that he almost asked the band to let him appear in the video.[69] The second video received much wider airplay than the original and has get the standard video for the song.[64]
The 3rd and final single from the album was "Photograph", which was released to radio in early on November.[70] The single peaked at number 17 on the US Modern Rock Charts.[57] In Nippon it was released equally the first single instead of "Hash Piping."[1] The band felt the song didn't have the staying ability of the previous singles,[71] and thus decided to pass on a big-proper noun director for the music video, opting instead to accept Karl Koch shoot and edit a video from on-the-road footage.[71]
Disquisitional reception [edit]
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 73/100[72] |
| Review scores | |
| Source | Rating |
| AllMusic |   [73] |
| Drowned in Audio | 9/ten[74] |
| Amusement Weekly | B+[75] |
| Houston Chronicle | 4/5[76] |
| The New Zealand Herald |  [77] |
| NME | 5/x[78] |
| Pitchfork | 4.0/ten[79] |
| Q | [fourscore] |
| Rolling Stone | [81] |
| Slant Magazine | [82] |
Weezer received generally favorable reviews. At Metacritic, which assigns a rating out of 100 to reviews from mainstream critics, the album received an average score of 73 out of 100.[72] Reviewing the album for Rolling Stone, Rob Sheffield wrote that the band had made "a totally crunk geek-punk record, buzzing through ten excellent tunes in less than half an 60 minutes with zippo filler".[81] AllMusic senior writer Stephen Thomas Erlewine wrote that while Weezer is essentially "just punk-pop, delivered without much dynamic range but with a whole lot of hooks", "nobody else" excels at the style as successfully as Weezer does on the album, which he felt ranked among the best stone records of 2001.[73] Rolling Rock described the Green Album as the "anti-Pinkerton", with album art and "squeaky-make clean" production that recalled Weezer's debut.[83] The album was compared to the 1999 film Star Wars: Episode I – The Phantom Menace by Rob Mitchum of Pitchfork, whom stated "Both sci-fi ballsy and alt-stone record were long-awaited events that had even the most jaded hipster hopping effectually like a minor child with a total bladder."[84]
Neva Chonin of the Houston Chronicle called it "a sublime option of power-pop songs with enough lyrical ballast to keep them from floating away on their ain euphoria".[76] PopMatters critic Jason Thompson credited the ring for their decision to have Ric Ocasek return every bit producer,[85] as did Entertainment Weekly 's Evan Serpick, who viewed the album as "a return to their winning formula of sugary power pop and smart-assed rants".[75] Russell Bailie of The New Zealand Herald remarked that "the self-conscious nerd-cistron of former seems largely and happily absent" on an album that "sounds similar a revitalisation with a hint of maturity".[77]
Writing in The A.Five. Society, Stephen Thompson constitute that Weezer "feels a flake repetitive and perfunctory the beginning time through", but "withal finds Weezer sounding revitalized in every manner."[86] Slant Magazine 'south Sal Cinquemani described it as "fillerless" and without "much to mutter about", despite the lack of songs that "hit the spot" like the singles from Weezer's debut.[82] Pitchfork critic Spencer Owen was more critical, finding the anthology "boilerplate from beginning to end" and defective in the "sense of dynamics and intricacy that Pinkerton – and particularly their debut – held in spades".[79] Sarah Dempster from NME was similarly disappointed: "The well-nigh irritating aspect of the Greenish Album is... the maddening crawling of wasted opportunity."[78]
Weezer placed at number 21 on The Village Vox 'due south year-terminate Pazz & Jop critics' poll for 2001.[87] The album ranked at number 3 in Drowned in Sound 'southward list of the all-time albums of 2001,[88] while Spin named information technology the year's ninth best album.[89] Q and Rolling Stone both listed it equally one of the all-time albums of the year.[ninety] [91] Rolling Stone 'south Laura Marie Braun wrote in 2016 that the success of Weezer helped give Rivers Cuomo an "ego boost" after the initial lukewarm disquisitional reception to Pinkerton, which in turn helped him reconcile his own conflicted feelings about that album.[41]
Sales [edit]
In the United States, Weezer debuted at number four on the Billboard 200 on the calendar week of May 15, 2001 selling 215,000 copies.[92] [93] Information technology was certified platinum by the Recording Manufacture Association of America (RIAA) on September 13, 2001.[94] As of August 2009, the album has sold 1,600,000 copies in the United states of america.[95] In Canada, the album debuted at number two on the Canadian Albums Chart.[96] The anthology has been certified Platinum past the Canadian Recording Industry Association (CRIA) for 100,000 shipments.[97]
The anthology debuted at number thirty-one on the Great britain Albums Chart.[98] In Australia, the anthology peaked at number xx-five.[99] Weezer also peaked in the Top Ten in Norway at number 8.[100]
Track listing [edit]
All tracks are written past Rivers Cuomo[40].
| No. | Title | Length |
|---|---|---|
| one. | "Don't Permit Get" | three:00 |
| 2. | "Photograph" | 2:twenty |
| 3. | "Hash Pipe" | 3:06 |
| four. | "Island in the Dominicus" | 3:xx |
| 5. | "Crab" | 2:34 |
| 6. | "Knock-downwards Elevate-out" | 2:08 |
| seven. | "Smile" | ii:38 |
| eight. | "Elementary Pages" | 2:56 |
| nine. | "Glorious Day" | two:forty |
| 10. | "O Girlfriend" | 3:50 |
| Total length: | 28:22 | |
| No. | Championship | Length |
|---|---|---|
| eleven. | "I Practise" | i:51 |
| Total length: | 30:11 | |
| No. | Title | Length |
|---|---|---|
| 11. | "The Christmas Song" | 3:08 |
| 12. | "I Do" | one:51 |
| Total length: | 33:19 | |
Personnel [edit]
Adjusted from the anthology liner notes.[40]
Weezer
- Rivers Cuomo – guitar, vocals, keyboards
- Patrick Wilson – drums, percussion
- Brian Bong – guitar, backing vocals, synthesizer
- Mikey Welsh – bass, backing vocals
Production
- Ric Ocasek – producer, backup vocals ("Don't Permit Go")
- Karl Koch – backup vocals ("Don't Let Become")
- Chris Bilheimer – fine art direction
- Femio Hernández – assistant engineer
- Carlos "Loco" Bedoya – assistant engineer
- Alan Sanderson – banana engineer
- Ken Allardyce – engineer
- Vladimir Meller – mastering
- Tom Lord-Alge – mixing
- Atom Willard – drum technician, uncredited pulsate fills
Charts [edit]
| Chart (2001) | Peak position |
|---|---|
| Australian Albums (ARIA)[99] | 25 |
| Austrian Albums (Ö3 Republic of austria)[101] | 15 |
| Canadian Albums (Billboard)[96] | 2 |
| Finnish Albums (Suomen virallinen lista)[102] | 22 |
| French Albums (SNEP)[103] | 42 |
| High german Albums (Offizielle Peak 100)[104] | 21 |
| Japanese Albums Nautical chart[105] | fourteen |
| New Zealand Albums (RMNZ)[106] | 25 |
| Norwegian Albums (VG-lista)[100] | 7 |
| Scottish Albums (OCC)[107] | 21 |
| Swedish Albums (Sverigetopplistan)[108] | 20 |
| UK Albums (OCC)[98] | 31 |
| United states Billboard 200[92] | 4 |
Year-end charts [edit]
Singles [edit]
| Year | Vocal | Acme positions | |||||||
|---|---|---|---|---|---|---|---|---|---|
| United states of america Modern Rock [57] | United states of america Mainstream Rock [57] | Great britain Elevation 40 [62] | Kingdom of norway [111] | ||||||
| 2001 | "Hash Pipe" | 2 | 24 | 21 | 74 | ||||
| 2001 | "Island in the Lord's day" | eleven | — | 31 | — | ||||
| 2002 | "Photograph" | 17 | — | — | — | ||||
Certifications [edit]
References [edit]
Footnotes
- ^ a b c d east Koch, Karl. "Tunes: The Weezer Discography – Page 3". Weezer.com. Archived from the original on 2007-12-15. Retrieved 2010-09-xviii .
- ^ a b Pinkerton Album Overview at Allmusic.com; retrieved on September 6, 2006
- ^ Predictable return has Weezer in the Green at Michigandaily.com; retrieved on September 18, 2006
- ^ a b Luerssen (2004), p. 241.
- ^ Luerssen (2004), p. 242.
- ^ Luerssen (2004), p. 245.
- ^ Luerssen (2004), p. 255.
- ^ Luerssen (2004), p. 256.
- ^ Luerssen (2004), p. 257.
- ^ Luerssen (2004), p. 265.
- ^ Luerssen (2004), p. 259.
- ^ a b Luerssen (2004), p. 266.
- ^ Luerssen (2004), p. 267.
- ^ Luerssen (2004), p. 270.
- ^ a b Luerssen (2004), p. 272.
- ^ a b Luerssen (2004), p. 280.
- ^ a b Luerssen (2004), p. 269.
- ^ a b c d Luerssen (2004), p. 307.
- ^ Luerssen (2004), p. 281.
- ^ Ramirez, Ramon. "5 more than college rock albums for your inner indie snob". The Daily Texan. Archived from the original on October 23, 2007. Retrieved 2007-10-01 .
- ^ Luerssen (2004), p. 285.
- ^ a b Luerssen (2004), p. 286.
- ^ Luerssen (2004), p. 292.
- ^ Luerssen (2004), p. 293.
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- ^ a b c Luerssen (2004), p. 308.
- ^ a b c Luerssen (2004), p. 310.
- ^ Luerssen (2004), p. 309.
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- ^ Luerssen (2004), p. 313.
- ^ "Rivers' Terminate: The Director's Cut | Arts | The Harvard Crimson". world wide web.thecrimson.com . Retrieved 2015-07-xx .
- ^ a b c Luerssen D., John, 2004 p. 314
- ^ Luerssen (2004), p. 312.
- ^ a b Luerssen (2004), p. 315.
- ^ a b Luerssen (2004), p. 316.
- ^ Luerssen (2004), p. 318.
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- ^ a b c Luerssen (2004), p. 326.
- ^ a b c d eastward Weezer (liner). Weezer. Geffen Records. 2001.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ a b Braun, Laura Marie (September 23, 2016). "How Weezer'south 'Pinkerton' Went From Embarrassing to Essential". Rolling Rock . Retrieved December 29, 2016.
- ^ Field, Thalia. "The Grass Is Always Greener For Rivers Cuomo". Harvard Ruby-red. Archived from the original on 2011-07-17. Retrieved 2008-02-12 .
- ^ a b Luerssen (2004), p. 343.
- ^ Songfacts staff. "Hash Pipe by Weezer Songfacts". Songfacts. Retrieved 2010-09-19 .
- ^ Weezer (tray insert). Weezer. Geffen Records. 2001.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ OK Calculator (tray insert). Radiohead. Parlophone. 1997.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ Koch, Karl. "Ofttimes Asked Questions". Weezer.com. Archived from the original on 2008-04-fourteen. Retrieved 2007-12-17 .
- ^ "Weezer Discography – Weezer (Greenish)". Music Discography Central. Archived from the original on 2007-09-29. Retrieved 2007-10-29 .
- ^ Steininger, Alex. "HEAR You lot ME! A Tribute To Mykel and Carli". In Music We Trust. Retrieved 2011-01-07 .
- ^ "A pictoral tribute to the Allan Sisters". Vast Records. Retrieved 2011-01-07 .
- ^ a b Luerssen (2004), p. 324.
- ^ a b Luerssen (2004), p. 325.
- ^ a b c Luerssen (2004), p. 335.
- ^ Weezer – Video Capture Device (liner). Karl Koch. Geffen Records.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ Luerssen (2004), p. 338.
- ^ Luerssen (2004), p. 339.
- ^ a b c d "Hash Piping – Weezer". Billboard . Retrieved 2010-08-sixteen .
- ^ Weiss, Neal. "Weezer, Staind, Afroman Spark The 'Doobies'". Yahoo! News. Retrieved 2007-12-10 .
- ^ Luerssen D., John, 2004 p. 375
- ^ Koch, Karl. "Weezer The Greenish Anthology – Island in the Dominicus". Weezer.com. Archived from the original on 2003-03-23. Retrieved 2010-09-18 .
- ^ "Island in the Sun – Weezer". Billboard . Retrieved 2010-08-sixteen .
- ^ a b "Weezer – Artist Chart History". The Official Charts. Retrieved 2011-01-07 .
- ^ Luerssen (2004), p. 356.
- ^ a b c Luerssen (2004), p. 363.
- ^ "Interview with Outsider Artist Mikey Welsh". Rock Salt Plum. Archived from the original on Baronial 12, 2007. Retrieved October 15, 2007.
- ^ Luerssen (2004), p. 362.
- ^ Luerssen (2004), p. 365.
- ^ Luerssen (2004), p. 523.
- ^ Weezer – Video Capture Device (commentary). Karl Koch. Geffen Records.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ Luerssen (2004), p. 388.
- ^ a b Luerssen (2004), p. 392.
- ^ a b "Reviews for Weezer [2001] past Weezer". Metacritic . Retrieved September 10, 2007.
- ^ a b Erlewine, Stephen Thomas. "Weezer [Green Album] – Weezer". AllMusic . Retrieved November 24, 2007.
- ^ Bezer, Terry (May 14, 2001). "Album Review: Weezer – The Green Album". Drowned in Sound. Archived from the original on April 10, 2019. Retrieved Baronial sixteen, 2012.
- ^ a b Serpick, Evan (May 18, 2001). "Weezer (The Dark-green Album)". Entertainment Weekly . Retrieved May 3, 2012.
- ^ a b Chonin, Neva (June 17, 2001). "A taste for the 'Greenish'". Houston Chronicle . Retrieved April 24, 2017.
- ^ a b Bailie, Russell (July 7, 2001). "Weezer: Weezer". The New Zealand Herald . Retrieved March 2, 2020.
- ^ a b Dempster, Sarah (May 24, 2001). "Weezer : The Green Album". NME. Archived from the original on March iv, 2016. Retrieved Baronial xviii, 2010.
- ^ a b Owen, Spencer (May 14, 2001). "Weezer: Weezer (Green Album)". Pitchfork . Retrieved December x, 2007.
- ^ "Weezer: Weezer". Q (179): 142. August 2001.
- ^ a b Sheffield, Rob (June 7, 2001). "Geek Dearest, Undying". Rolling Rock. No. 870. p. 110. Archived from the original on July xiv, 2008. Retrieved February 15, 2017.
- ^ a b Cinquemani, Sal (May 15, 2001). "Weezer: Weezer (The Green Album)". Camber Magazine . Retrieved Nov 24, 2007.
- ^ Braun, Laura Marie (September 23, 2016). "How Weezer's 'Pinkerton' Went From Embarrassing to Essential". Rolling Rock. New York Metropolis: Wenner Media LLC. Retrieved Dec 29, 2016.
- ^ Mitchum, Rob (May 27, 2002). "Maladroit". Pitchfork . Retrieved May 12, 2022.
- ^ Thompson, Jason (May 14, 2001). "Weezer: Weezer ("The Greenish Album")". PopMatters . Retrieved December 10, 2007.
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- ^ "The 2001 Pazz & Jop Critics Poll". The Village Vocalism. Feb 12, 2002. Retrieved March ii, 2020.
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- ^ "Albums of the Year". Spin. 18 (1): 76–77. January 2002. Retrieved March two, 2020.
- ^ "The Best fifty Albums of 2001". Q (185): 60–65. Dec 2001.
- ^ "The Best of the Rest". Rolling Stone. Archived from the original on February 21, 2002. Retrieved March 2, 2020.
- ^ a b "Weezer Nautical chart History (Billboard 200)". Billboard. Retrieved October 2, 2021.
- ^ Inc, Nielsen Concern Media (2001-06-02). Billboard. Nielsen Business concern Media, Inc. p. 106.
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- ^ "ウィーザー". oricon.co.jp. Retrieved 2009-07-nineteen .
- ^ "Charts.nz – Weezer – Weezer (The Green Album)". Hung Medien. Retrieved November 26, 2007.
- ^ "Official Scottish Albums Nautical chart Meridian 100". Official Charts Visitor. Retrieved October 2, 2021.
- ^ "Swedishcharts.com – Weezer – Weezer (The Green Album)". Hung Medien. Retrieved October 2, 2021.
- ^ "Canada's Meridian 200 Albums of 2001 (based on sales)". Jam!. Archived from the original on December 12, 2003. Retrieved March 26, 2022.
- ^ "Canada's Top 200 Alternative albums of 2002". Jam!. Archived from the original on September 2, 2004. Retrieved March 28, 2022.
- ^ "Norwegian anthology chart archives". norwegiancharts.com. Retrieved 2007-11-26 .
- ^ "Japanese anthology certifications – Weezer – Green Album" (in Japanese). Recording Industry Clan of Japan. Retrieved xi September 2019. Select 2001年6月 on the driblet-downwards menu
- ^ "British album certifications – Weezer – The Light-green Album". British Phonographic Industry. Retrieved 11 September 2019.
Bibliography
External links [edit]
- Weezer at YouTube (streamed copy where licensed)
- Weezer (Dark-green Anthology) at MusicBrainz, U.s.a.
- Weezer (Greenish Album) at MusicBrainz, Great britain
- Weezer (Greenish Album) at MusicBrainz, Nippon
Source: https://en.wikipedia.org/wiki/Weezer_%28Green_Album%29
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